The logic of the moving is easy to understand and learn. You could change the form and the composition when ever and what ever you want, and prepare a new work form the same one. There will be an active relationship between the object and the owner, and each and every time this can result in a different conclusion / composition.
I am a porcelain designer. Ceramic and porcelain art has traditional bounderies because of the material’s role in everyday life. When people think about ceramic / porcelain, they usually think about well-known representative forms, and common tactile impression az well.
As an artist, I play with the gap between the traditions and innovations. Usually I work with, and sometimes work against to these preconcepts, like: tradition - innovation, fragility - flexibility, timeless - temporary, worthless - valuable, quality - quantity, the surface of the glased and unglased porcelain, hight quality - mass quality, etc.
My aim was to make people rethink these preconception, and meet with the porcelain material in a new way. When the owner realize that the structure made from porcelain, and the sturcture is mobile, their confession became even greater. The sound of a material and the beauty of the clear porcelain’s colour, and it’s tactile impression helps to maintain this relationship. This special situation helps to realise how beautifull material is the clear and pure porcelain.
During the perception of a work of art, regardless of the creator’s or designer’s concept, the object is interpreted individually. This not only creates new approaches, but also changes the situation of the object, and this influences the creation itself also. These influences are flexible, and sometimes could turn into opposite, and this flexible porcelain sclupture shows these rules's flexibility with it's mobility and varriability.
Year of Creation: 2018
Materials: Porcelain, Limoge
2013 DLA (Phd)，MOHOLY-NAGY UNIVERSITY OF ART AND DESIGN BUDAPEST，Doctoral School
2005 Master，MOHOLY-NAGY UNIVERSITY OF ART AND DESIGN BUDAPEST，Vizual Communication Teacher
2004 Master，MOHOLY-NAGY UNIVERSITY OF ART AND DESIGN BUDAPEST，Ceramic designer
2016 Technical And Further Education(TEFA)Training School for the Hungarian University of Fine Arts - Jeweller degree，，
2004 Diplome Work，Diplome Work，Budapest Hungary
2007 Contemporary design of Zsolnay Manufacture， Hungary，Contemporary design of Zsolnay Manufacture， Hungary，Pécs， Hungary
2014 KJUB，KJUB，Kecskemet， Hungary
2012 ?Layers” ，?Layers” ，Budapest， Hungary
2014 ?Fragile Materia” ，?Fragile Materia” ，Budapest， Hungary
2017 ?Multilevel Materia”，?Multilevel Materia”，Budapest， Hungary
WORKS IN PUBLIC AND PRIVATE COLLECTIONS
2006 Vince Wartha Foundation，Hodmez?vasarhely， Hungary
2007 International Ceramic Studio，Kecskemet， Hungary
2010 Muzeum of Applied Art，Budapest， Hungary
2014 Foundation for Contemporary Ceramic Arts Hungary，Kecskemet， Hungary