The Last Garden intertwines the metaphor of the forbidden apple with today’s ecological crises, reflecting humanity’s recurring mistakes. The forbidden fruit, once a symbol of humanity’s separation from nature, now resonates with the destructive forces of climate change, overconsumption, and environmental collapse. The fragmented apple form embodies both the origin and the consequence of this cycle, inviting viewers to confront the fragility of our natural world. The image of a “garden” here represents not just a piece of nature but humanity’s collective memory and shared future. Like a fragile time capsule, the sculpture evokes the vanishing landscapes of our planet. Its fractured surfaces and inward-looking forms carry traces of both natural erosion and human greed. Porcelain’s delicate and translucent nature emphasizes the vulnerability of life. The sculpture combines 3D-printed digital forms with hand-crafted details, a hybrid process that reflects the tension between technological progress and the desire to dominate nature. Subtle blue-toned cavities suggest the last traces of life, echoing the silence of a disappearing garden. The Last Garden is more than an object of aesthetic value; it is a warning. Just as the forbidden apple symbolized both knowledge and loss, this work questions whether humanity can preserve its “last garden” or is standing at the edge of irreversible loss.