"Taisu" uses a ceramic powder sintering process to sinter the original porcelain stone in a mold formed by drawing, and the porcelain stone naturally forms a cracked, layered, and rough texture in the kiln fire. Handmade mold marks shape the smooth texture and round hole-like shape of the work, and the temperature and porcelain stone work together to create a primitive, rough visual and tactile texture. The main body is covered with a thick layer of white particles, covered with deep cracks, fine pores, and irregular peeling marks. The unadorned cascades and crumbs at the edges are clearly visible, and the inner walls are also undulating, preserving the subtle texture of the condensation process. A striking notch breaks the closure of the ring, revealing the interior space, reinforcing the sense of unfinished and fragile nature of the work. The creative process of powder firing skips the crucial "shaping" part of ceramic creation. The final form of the work is the "reflection" of the inner cavity of the mold, and its rough and broken appearance is a direct record of the material nature and natural forces in the sintering process. The name "Taisu" echoes the spirit of searching for the origin of materials—just like the most primitive and simple state of the universe in Taoist philosophy. With its intuitive sense of roughness, incompleteness and incompleteness, it explores the essence of ceramics: is it the pursuit of man-made craftsmanship, or is it a return to the telling power of the material itself? It forces the viewer to gaze at the primordial texture of the material, feeling the moment when time, temperature, and gravity freeze on the material.