My ceramic art creation has always been focusing on the transparent light and shadow, as well as the spatial structure. I created these works in the form of the cocoon and pupa, and by superposing them to deform the entire works, I retained the rhythm, the density, the momentum and the propriety between the gaps. After firing, the cocoon and pupa seemed to regain their life. I defined these works as “nothing”: nothing is empty, but also the respect for life to some extent.